Want Ad Letters Crossword

Want Ad Letters Crossword – Six letters: “Distinctive features of Marcus Garvey’s hat.” Seven letters: “Online magazine founded by Henry Louis Gates Jr.” Nine letters: “The civil rights icon who led the historic march from Selma to Montgomery on 3/7/1965.” Eleven letters: “Underground rap?” 11 other books: “2017 hit by Cardi B.”

The diverse community roared in approval when the New York Times kicked off Black History Month in February with a week of puzzles created by Black creators.

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Like many cultural institutions and long-standing media features, the history of popular irony (and the people who create and organize it) reveals a story of exclusion from nature. The old collection of canon – literature, history, trends, trivia – is under scrutiny again: When is a trove of facts “common knowledge” and who, exactly, thinks so? The answer was often White (and usually male) editors. It was up to the solvers to find the correct answers to complete those empty squares.

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Luscious “PLUMES” adorned the hat of Garvey, a political activist. Gates invented “THEROOT.” Indeed, “JOHNLEWIS” was the civil rights leader who led the historic Selma march — Lewis was the epitome of one. If you were looking for subgenres of rap, don’t bother: “SECRETKNOCK” was a clever playful answer to “underground rap?” And the song coming out of all the speakers in the summer of ’17? That was “BODAKYELLOW” by Cardi B.

Of course, there is a chance that these clues may appear in other, later puzzles. But they rarely do – all but “PLUMES” appeared first as an answer. The response from some arbitrators and editors dedicated to Black Builders can be predicted. Words like “obscurity” and “segregation” are thrown around, in the name of the so-called “common mediator.”

Kameron Austin Collins, the Rolling Stone film critic who created the Times puzzle on Feb. 6, Saturday (usually the most challenging weekday puzzle), is only joking when he notes that it is difficult to find more than six Black builders. who work regularly in the scene.

“People already knew who the Friday and Saturday builders were going to be,” said Collins, who also contributes to New Yorker puzzles. “They knew that when Erik [Agard] ran on Friday, I was going to run on Saturday because there were very few Black people publishing [oppositional words] in the Times.”

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American crossword solvers usually pick up a newspaper or their phone and solve one of several puzzles. A society that makes, solves, follows and claims its merits is a world unto itself, perhaps ready for a “Queen’s Gambit” style drama.

Many U.S. newspapers they use different combined names, usually created by independent contributors. The Washington Post publishes a daily puzzle for the Los Angeles Times, compiled by the Tribune Content Agency; those puzzles come from a submission process open to any and all builders. (The Post’s Sunday Magazine puzzle was created by Evan Birnholz.)

But often, it’s what The New York Times does (or doesn’t do) with its 15-by-15 square inky block (21-by-21 on Sundays) that dominates any conversation between wordsmiths and fans. The crossword shows life as it is lived and understood in certain contexts – what you eat, read, hear, watch and see in the world.

“The New York Times is a small industry,” Collins said of the brand’s puzzle yearbooks and app subscriptions. “It is important that we show our face in this space if we want to work on the effort to build other underrepresented people. Because if there’s one puzzle they’ll get to first, it’s probably the New York Times. We have to be there.”

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The challenge of different names is about the institution and about communication with the students: Whose world is represented – and whose is not represented?

“It was with Don Lemon, a television reporter; Olivia Pope, Kerry Washington’s character from ‘Scandal’; fan fiction; The Gayborhood of Philadelphia; slang phrases like ‘spit game,’ ” Collins said. “The way people reacted was reassuring in a way it shouldn’t have been.”

The irony made it clear to Collins that there is a “real hunger” and even a taste for being included in different names, even something “as simple as most Black people’s names.”

The term you’ll hear a lot in the big names of the publication is “righteousness.” In the dance between planners and builders, there is a growing debate about which terms are “common” or “more popular” with readers and solvers.

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Take USA Today’s crossword: It’s purposefully designed as an accessible puzzle for beginners, with tricky wordplay clues and widely recognized as standard answers. Even then, some moderators have complained about not knowing things like “the ‘Get Me Bodied’ singer’s nickname ” (answer: Beyoncé) and a symbol used by the singer’s fans (answer: bee emoji).

“Okay, if it’s the Year of Our Lord 2020 and you don’t know Beyoncé, that’s your problem,” said Brooke Husic, an architect whose puzzles have been published in USA Today and the New York Times.

Husic, a 29-year-old postdoctoral researcher in biophysics, jumped into the multiword puzzle in 2019 with little puzzle knowledge beyond a curiosity and an active Twitter account. He was solving puzzles and collecting his own complaints about the way the clues were told and how they would happen.

“I always think about the ‘bra,'” Husic said. “To me, it’s very obvious when someone who doesn’t wear a bra and has never worn a bra includes a bra.” He directly cites clues from the past such as “Make the torso a lot more” or any variation including “lifting” and counting with a reference from one of his latest puzzles: “A thing that is usually not worn while working at home.”

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“Since I include entries in my puzzles that are not on the list of White men, it’s not like White men can’t learn what it’s like to wear a bra if they don’t,” he said. “That’s how people wear bras, like, ‘This person understands my experience.’ “

Entering the world of puzzle design is, like most things, a combination of determination, luck and skill. Independent builders ship to stores large and small; others, like USA Today, keep donors steady.

“As we’ve been admiring a lot of puzzles that come out of normal places, in different ways, some of them feel sad,” says Liz Maynes-Aminzade, the New Yorker’s puzzle and games editor, about her group of 10 regulars. donors, more than half of whom are women. The magazine recently started publishing a puzzle in each issue.

“We were picking people that we thought were the best, but part of that is we want to bring in new voices and a variety of voices and ways of looking at things,” Maynes-Aminzade said.

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There’s a push about what to take away from a crossword: Should it simply reinforce your previous knowledge or force you to dig up the meanings of new words or terms?

And what if the puzzle theme involves a topic that one editor sees as a gift and another considers potentially offensive?

Example: The L.A. puzzle. The Times of December, created by Matt McKinley (and played in The Post), referred to several films by Woody Allen, a growing number of people not grata of the mediators, who complained after it was over.

Patti Varol, a freelance architect who works as an assistant editor at the LA Times’ puzzle, says she tried to warn her longtime friend, co-worker and boss, Rich Norris, about her objections to the puzzle and its potential.

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Afterward, he says, he agreed the puzzle shouldn’t have gone ahead — but “because of [the reader’s] objections, not because there was anything wrong with the theme.” (The kicker, Varol adds: “Rich made a joke of himself. That was a pen name.”)

Reached by email, Norris declined to confirm his identity but said, “If I had it to do over again, I wouldn’t use the puzzle, especially considering how Mr.

Was it the case that the gatekeeper could not enter the changing world? Or just a difference of opinion?

Agard, a speed solver and creator who edits crosswords for USA Today and whose puzzles have appeared in The New Yorker and New York Times, rejects the idea that it should be too difficult.

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“I think what we need to grow is to center White solvers in all the decisions and discussions about what should go with the puzzle,” Agard said in an email interview. “As a builder, if I post the puzzle FRANKIEBEVERLY as an answer, I already know that some editors and solvers will try to pretend that’s some sad hidden gem (at which point they all know the fourth-place horse from the 1850 Kentucky Derby or whatever. ).

But then people respond to those people by saying ‘Well, puzzles are supposed to be a learning tool, so that’s a good answer.’ I disagree with both camps. Crosswords are supposed to be about asking people things they already know, and that’s exactly what it is