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Bit Of Humor 3 Letters

Bit Of Humor 3 Letters – A man entered a bookstore. “Where’s the self help section?” he asked the clerk. He shook his head and replied, “If I tell you, wouldn’t that defeat the purpose?” —Anonymous

Humor is an important part of our daily interactions, whether we’re trying to navigate the bookstore, talking to the barista at our favorite coffee shop, or talking to the police over a ticket. Our innate desire to laugh drives us to share funny YouTube videos and reply to text messages with LOLs or cute smiley faces. Many of us even choose to get our daily news with funny lineups from outlets like “The Daily Show,” “The Colbert Report” or

Bit Of Humor 3 Letters

You might think that when it comes to writing, humor is only used in fiction or satire. But if we think of humor in terms of extension or creativity, effective humor can be as much about creative deception — motivating readers by taking them to places they wouldn’t expect to go — and subtly choosing the similes and words that make the reader laugh without actually being there. know why. And the smiling reader is the one who listens and actively reads.

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Sociologists, linguists, and biologists say that our ability to laugh and want to do so is not just fun and play, but actually serves two vital roles in life: bonding with other members of our society. in “tribe”, and reducing stress and anxiety. Both of these are excellent reasons to include humor in your nonfiction. As a communication tool, effective use of humor can humanize you, strengthening your connection with readers. It can also help your business stand out in a crowded market. And as advertising studies have shown, humor increases how much we like what we read and how much we remember it afterwards.

I’ve been teaching comedy writing for 16 years, and I’ve used my funny bone to write everything from self-help books to feature articles to essays to brochure content. I’m convinced that learning to use humor will not only improve your work, but can also make the writing process more enjoyable. Trying to find the funnier side of things reduces loneliness, rejection, and stress in the writing life—and it increases creativity by challenging you to approach your craft in new ways. .

. I was recently hired to provide freelance assistance to a book on porn-related issues. The writers thought I could lighten the subject for the reader by lightening things up here and there. As Eric Idle once wisely said, “Levity is the opposite of gravitation.”

Let’s be clear: The goal of adding humor to your nonfiction project isn’t to become the next Erma Bombeck or David Sedaris (unless that’s your dream). The goal is to improve your writing using all the tools at your disposal, including humor. Imagine where the original author of the For Dummies franchise would be today if they hadn’t decided to take a lighter approach.

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Whether you consider yourself a funny person or not, it’s not as difficult as you make it out to be—you might want to consider putting humor to work for you. I find that the easiest and best way to do this comes down to five simple comedy tools.

It may sound strange, but it’s true: Words with a k sound (Cadillac, quintuplet, sex) are considered the funniest, and words with a hard g (guacamole, gargantuan, Yugo) elicit almost as many smiles. This may be because much of what makes Americans laugh today comes from Yiddish jokes, their language has many slurred sounds—and the k and hard g are close to English. The K Rule is used so much by comedy writers that Matt Groening’s crew once referenced it in an episode of “The Simpsons” when Sideshow Mel explained that Krusty had laryngitis (note the spelling) the Clown for “trying to cram too many k sounds into a. punch line.”

The K Rule is a good convention for naming things and making word choices that will entertain your readers. This tool is very useful for creating attention-grabbing headlines or subheadings. Consider this preface to a memorable chapter in the book

Bit Of Humor 3 Letters

Humorous writing often involves establishing a pattern (with a setup) and then copying the reader (with a punch line). A simple way to do this is to pair two similar ideas in a list and then add a third, unrelated idea. The reason we use a list of three, instead of five or 27, is that three is the number of things we remember most easily (two if we haven’t had coffee or been arrested by our boss). Here is an example of a sentence using the Rule of Three:

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Weight loss is simple: Eat less, exercise more and pay NASA to let you sit in an anti-gravity chamber

This is one of the easiest ways to inject spontaneous humor into your story. This is especially useful for creating attractive article leads, such as this opening line from Jean Chatzky “Interest rates are rising. Now what?” in

Let me predict a few things that will happen in the next year. Brad and Angelina are about to add another baby to their family. The day you spend $175 getting your hair done is the day it rains. And variable interest rates—on your savings accounts, loans, and credit cards—will go up.

Here he uses two funny and less important ideas as a model and throws his idea at the end, as a “punch”.

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As writers, we’re comfortable with metaphors, so think of comparative humor as a simple metaphor chosen specifically for humorous effect. Here is an example from Robert Schimmel’s last memoir

… this stupid hospital gown is riding my ass. I try to pull it out and it immediately pulls back like a window shade. I crossed my legs and suddenly I was Sharon Stone.

To create a metaphorical joke, just imagine the metaphor and choose the funniest one and make the point well. For example, if you want to convey how difficult it is to quit smoking, you can mentally list difficult things, such as reading without glasses, brushing a cat’s teeth, warning a teenager to tell you about day, the making of cats. tell you about his day while flossing his teeth, etc. Then just choose the comparison that makes you laugh. In comedy writing we are always audience first.

If humor relies on misdirection, what better way to achieve it than with a phrase your readers already know? If you write, “You can lead a horse to water…” all readers will think you finish with “… but you can’t make him drink.” Taking the cliché elsewhere can be attention-grabbing and fun. Take Sarah Snell Cooke’s title

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Article about the union movement called THINK: “You can lead a horse to water but you can’t make him think.”

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Most of the things we laugh at in real life are true stories, sometimes exaggerating the effect. In fact, experts say we laugh more at these kinds of everyday occurrences than at “jokes.” So it makes sense to use them to make your point when you write. When

Writers Joe Dominguez and Vicki Robin wanted to show how important it is to change the way we think about money, they did this by telling the story of a girl who watched her mother prepare a ham to eat for dinner. When the mother cut off both ends of the chicken, her daughter asked why. Mom replied that her mother always did that. While the daughter still insisted on knowing the reason, the grandmother quickly called out the reason: “Because the pot is too small.”

Now you have five basic comedy tools in your arsenal, and you’re ready to put them to work. As with trying new things, you don’t want to overdo it and be too strong, but you also don’t want to stifle your creativity.

1. GET A STRATEGY. Don’t intentionally spread jokes; instead, think of humor as information. Many nonfiction writers find that the best places to insert humor are in headlines, sidebars, graphics or