Andrew Peterson Resurrection Letters Volume Two Songs
Andrew Peterson Resurrection Letters Volume Two Songs – . It was a fantastic collection of songs that, while not necessarily a concept album, shared a common theme from beginning to end about the Christian life in the light of Christ’s resurrection. But… “
Tracked the effects of the resurrection. They examined how it affected my own life and hopes rather than referring specifically to Jesus. I called it Volume II because I knew there was a more fundamental part of this story to tell. The whole Church, the whole history of our faith depends on the resurrection of Christ. But I didn’t feel up to the task of communicating that [yet].
Andrew Peterson Resurrection Letters Volume Two Songs
, this Easter we can enjoy a rich collection of nine songs, embracing everything that is great about our faith, Christ’s victory, and Andrew Peterson’s artistry. And he doesn’t waste time on all three of them.
Music — Andrew Peterson
“His Heart Beats” opens the album in an epic way. The style and structure is pure radio hit single stuff (even if it wasn’t released as the album’s lead single), but this immediate familiarity is combined with some of the most vibrant, poetic and imaginative lyrics possible, if life returns to an inanimate body, as well as skilled musicianship and songwriting with absolutely no filler – every drumbeat, every singing string and every hammer blow (oh yes, the hammered dulcimer is a fantastic touch) is intentional and adds depth. The result is just stunning and I honestly don’t think any other artist is able to create this type of song quite as well – I’ve never heard a better Easter themed pop song and I almost certainly won’t .
Never again does the album reach such emotional, thematic, or poetic heights (except maybe “Is He Worthy?”), but Peterson has certainly made his mark. The rest of the album is a poignant and thoughtful reflection on Christ’s resurrection from a variety of angles. “I’ve Seen Too Much” is one that particularly resonates. It is a testament to the disciples’ perseverance that they had (ahem) seen too much not to speak to anyone who would listen to what they had seen and experienced. “Remember Me” is another memorable song that directly quotes both King David and the thief on the cross and maybe a dozen other passages from throughout the Bible, and Peterson (or rather, Peterson’s longtime producer and friend Ben Shive) skillfully weaves them together into some of the most impressive texts in his entire catalogue. The communion-themed “Remember and Proclaim” and the second coming-inspired “Maybe Next Year” are also solid entries, and “All Things Together” will likely make AP fans dizzy as it lyrically picks up the song “All Things.” refers to New
And how it fades out just as the song fades in. is the highlight of the second half of the album and ensures that the album ends on a strong note.
, it’s easy to forgive the fact that this album is “only” nine tracks (who said a “full-length album” ever needed double-digit songs?). Of course, since each song is so well written and well done (which Peterson goes without saying), it feels neither short nor lacking. I think the album could have been improved a bit if Peterson had stretched a few more songs into uncharted musical territory, as most of the middle part of the album seemed to stick to a bright folk-pop sound that bled into countless songs Might be home to Peterson’s other works, which makes this one feel less special. But at the same time I can understand this choice, as the album ties in much more tonally with it
Gospel Hope When Your Kids Lose A Pet — Risen Motherhood
Is about as flawless as a 4.5 star album can get. This album must be bought, heard and adored by anyone with ears to hear.
Andrew Peterson is one of those artists whose music cannot be adequately described. Equal parts contemplative, joyful, theatrical, and subdued, it’s clear that Peterson is more interested in text painting than sticking to a particular sound. That’s the main reason
Peterson employs elements of Gaelic folk, pop-hop, funky time signatures, piano ballads, gospel and even ’90s-style CCM to construct a decidedly unified acoustic/electronic earthiness as the album’s overall tone. With all these colors, it’s possible that some songs won’t stick with you as much as others, but they all serve the purpose of covering the emotional range associated with Holy Week. There are moments when certain songs feel a little too long, but the abundance of musical triumph on this album makes it an essential homage to the victory of Christ’s resurrection.
(and the song’s prologue that initiates the action) was totally worth the wait. Ten years after
Andrew Peterson’s Easter Monday — Mandolin Live
Was published, this exemplary depiction of Christ’s death and resurrection in epic song form fits Peterson’s beloved work about Christmas,
, with its nuanced storytelling and its artful and epic songwriting. Beginning with the haunting “Last Words (Tenebrae),” Peterson layers the seven last statements of Christ into a rhythmic and repetitive melodic pattern that circles and demonstrates Peterson’s masterful touch of a phrase and a melody. The prologue moves through Christ’s death on the cross and the heavy atmosphere of that day, deftly setting the stage for the triumphant follow-up act. “His Heart Beats” introduces the resurrection portion of the main album with a solemn tune that ranks among Peterson’s finest moments of songwriting. “Remember Me” (based on the words of the repentant thief on one side of Christ) and “I’ve Seen Too Much” show how Peterson weaves in well-known passages of Scripture (like St. Peter’s confession of who Jesus really was). something new, with fresh perspectives and deep insights. With nods to classic songwriters like David Gray, Paul Simon and Peter Gabriel, Peterson’s musical palette broadens with each passing. Andrew Peterson is so much more than just a songwriter at this point. With four novels, a thriving blog and a film to his credit (along with more than ten fantastic albums), his poetic and beautiful exploration of faith and the human condition approaches C.S. Lewis. Listen to both volumes of
Is to listen to a master at the height of his craft and delve into the most important and epic rescue story ever told. – 03/30/18 Alex Caldwell
. Lyrically, each song is a theological gold mine, woven into catchy phrases and lines that elevate the lofty concepts in an accessible poetic way. Musically, Peterson leans towards the pop genre with mixed results. Occasionally the songs feel repetitive or blended together, and certain melody lines feel like reused material from previous works. However, there are standout tracks that mix lyrics and music well, like “Remember Me”, “Rise Up” and “Is He Worthy?”. Despite these minor imperfections, this slab is a perfect accompaniment for meditations on Christ’s resurrection. – 4/3/18 John UnderdownI can’t remember the first time I heard the name Andrew Peterson. I’m pretty sure it was from my friends Rusty and Sara Osborne, who were already big fans of his music and fantasy books. It was some time before I ever heard any of his songs. I do not want it. (Sorry Andrew, if I ever get the honor of meeting you, please don’t hold that moment against me). It was a while before I listened to Andrew Peterson again and it was a very different experience. With every verse, with every new song, his voice became more inviting, more sincere, more pleasant. I also found his lyrics to be some of the most thoughtful, poetic and beautiful words I had heard in my life. After a long repeat cycle from him
Holy Week — Ethics And Culture — Ethics And Culture
This spring I finally started exploring his other music and I’m hooked. I bought those
For my children and prepare to read it soon. And last Friday I received his latest book,
Similar to Peterson’s music, I wasn’t sure what to expect from this book. Subtitled Thoughts on Community, Vocation, and the Mystery of Creation seemed an awfully big goal for a short book. Likewise, the Amazon summary had a distinct emphasis on the writing process, which, while fitting into the “The Secret of Making” category, nonetheless heightened both my interest and skepticism that someone could accomplish so much in such a short page span. I was wrong. Again. Maybe I should have expected this success from someone who can pack so much truth, goodness and beauty into a three minute song. Additionally, as I began reading the book, I found that Peterson also tells many personal stories to make his points. I found his transparent, candid and humble approach both helpful and inspiring.
My brief review is that writers of all kinds (not just songwriters) and Christians of all kinds of gifts (not just writers) should read this book as it provides valuable insight into the Christian life, the human condition,